The politics of the publishing
industry are shifting, from the powerful to the everyman. While the rich
aristocracy, who owned the publishing companies, formally dictated what was
considered ‘good writing’ the ability
to self-publish online is providing an open platform for the public. Although
this opportunity is not without its problems, the legalities of ownership
rights being one, this semi–amateur nature of digital publishing changes the
traditional narrative of the industry.
Economically
speaking, this is a positive change. For aspiring authors, or those so far
relatively unknown, online publishing may be more profitable as they eliminate
the middleman. Online publishing can also increase the distribution, which
would increase circulation, whether it be books or magazines, this could only
be beneficial to profits. The nature of digital publishing and the popularity
of the e-reader has even widened the industry, with an opportunity for profit for
outside companies. As our increasingly green society steps away from the paper
trail of traditional publishing, and towards the economically friendly e-reader,
hardware creators such as Apple and Amazon stand to gain in the digitization.
It is not just the author and publisher who will make money.
With the advancements of technology in the
industry, publishing is becoming increasingly social. Online publishing
is impacting on the authorship of books by making it a social rather than solitary
occupation; blogs that post chapter-by-chapter can allow the feedback from readers’
commentary to effect the direction of the narrative. Social media allows you to
be an engaging community rather than just an isolated reader. The popularity
and convenience of e-readers is no surprise considering the shift in attitude
towards technology in recent generations, compared with our older relatives.
The technological advancements have
without a doubt massively affected the publishing industry as it tries to adapt,
and with their potential for constant improvement they seem able to change it
further in the future. This effect can threaten traditional publishers and
force them to compete in order to survive; such as Barnes and Noble and the ‘Nook’
(Erin Carreiro: Electronic Books: How
Digital Devices and Supplementary New Technologies are Changing the Face of the
Publishing Industry). For the consumer, the technology can be both positive
and negative. While the technology does allow you to connect with the text and
use social media to input your opinions, having a digital version with
constantly changing commentary on it means you never get a complete, single
version of the text. Either way, technology is by no means destroying the
publishing industry, instead it is providing extra platforms through which we
can interact and consume.
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